THE PROBLEM OF PERFORMANCE IN CELLO ART OF UZBEKISTAN

Authors

  • Sherali Mirmakhsudov Republican Specialized Music School named after R.Glier Teacher of the cello class of the stringed instruments department

DOI:

https://doi.org/10.5281/zenodo.11366851

Keywords:

Music art, Cello, musical instruments, range, composer's works, stringed instruments.

Abstract

This article provides detailed information about the appearance of the cello instrument, its formation, performance of the instrument, compositional works written for the cello voice, and the importance of the cello instrument in musical culture. Also, the introduction of cello performance into the music culture of Uzbekistan was explained.

References

Easton CDPJ (2000) A Biography. New York: Da Capo Press,.

Eisler E (2001) “The Versatility of Yo-Yo Ma.” Strings Mag., 94: 47-54.

Faber T (2006). Stradivari’s Genius: Five Violins, One Cello, and Three Centuries of Enduring Perfection. New York: Random House. Hargrave R (2001).

Ibragimov, B. (2023). Types And Importance Of Innovative Technologies In Education. Молодые ученые, 1(20), 96-98.

Hillard K (2008). “History of the cello”. 2002. Essortment. .

Howards K (2008). Personal Interview.

Janof T (1996) “Cello Technique Made Simple”. The Strad Magazine. 3 Feb.

Downloads

Published

2024-05-27

How to Cite

Mirmakhsudov, S. (2024). THE PROBLEM OF PERFORMANCE IN CELLO ART OF UZBEKISTAN. Solution of Social Problems in Management and Economy, 3(5), 173-177. https://doi.org/10.5281/zenodo.11366851