DIGITAL INNOVATIONS IN UZBEK AND INDIAN FEATURE CINEMA: A COMPARATIVE PERSPECTIVE
DOI:
https://doi.org/10.5281/zenodo.19067512Keywords:
digital innovations, feature cinema, Uzbek cinema, Indian cinema, visual aesthetics, digital filmmaking, cinematic transformationAbstract
This article explores the role of digital innovations in shaping contemporary Uzbek and Indian feature cinema. The study examines how the transition from analog film technologies to digital systems has influenced cinematic production processes, visual aesthetics, and artistic expression. Through a comparative and visual-aesthetic approach, the research highlights the integration of digital tools with traditional cinematic principles in both cinematographies. The findings demonstrate that digital innovations do not replace established artistic traditions but rather reinterpret and extend them within a modern technological framework. The article emphasizes the importance of technological synthesis in preserving cultural identity while enhancing creative possibilities in contemporary cinema.
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