THE THEORY OF CHOREOGRAPHIC ART AS AN INTEGRAL PART OF THE PRACTICAL ACTIVITY OF YOUNG CHOREOGRAPHERS

Authors

  • Sevinch Valieva 2nd-year student “Head of Choreographic Groups” Academy of Choreography of Uzbekistan

DOI:

https://doi.org/10.5281/zenodo.19230387

Keywords:

dance, creativity, choreography, art, knowledge, theory, practice, forms and content, school, heritage, ballet master, performer, professionalism

Abstract

This article examines the importance of in-depth study of the theory of specialized disciplines, which ensures the ability to assimilate the flow of modern information and develop skills in research activity, as well as individual and independent work.

References

Abdukhakimova D.M. Efficiency and Effectiveness in Quality Education // Crossroads of Culture. 2023, No. 1, pp. 19–22.

Rakhimov B.Kh., Mavlyanov A. Technologies for Modern Organization and Conduct of Training Sessions. – Tashkent: Fan va Texnologiya, 2016.

Abduxakimova D.M. Fundamentals of Dance Composition. Study Guide. – Tashkent: Navro’z, 2020. – 86 p.

Usmanova G.N. The Art of the Ballet Master. Study Guide. – Tashkent: Fan Ziyosi, 2026. – 230 p.

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Published

2026-03-25

How to Cite

Valieva, S. (2026). THE THEORY OF CHOREOGRAPHIC ART AS AN INTEGRAL PART OF THE PRACTICAL ACTIVITY OF YOUNG CHOREOGRAPHERS. Academic Research in Modern Science, 5(9), 143-145. https://doi.org/10.5281/zenodo.19230387