MECHANISMS FOR ENSURING THE UNITY OF THEORETICAL AND PRACTICAL TRAINING IN MUSIC EDUCATION BASED ON AN INTEGRAL APPROACH

Authors

  • Shaxnoza Usmanova Independent researcher at Gulistan State University

DOI:

https://doi.org/10.5281/

Keywords:

integral approach, music education, theoretical and practical training, unity, performance, music pedagogy, synchronized curriculum, pedagogical practicum, professional training, higher education.

Abstract

This article provides a scientific analysis of the mechanisms for ensuring the unity of theoretical and practical training in music education based on an integral approach. The problem of the gap between theoretical knowledge and performance practice, and five mechanisms for overcoming it — synchronized curriculum, practical-illustrative, integrated-assignments, pedagogical-practicum-testing, and reflective-evaluative mechanisms — are examined. The content and forms of implementation of each mechanism are substantiated from a scientific and practical perspective.

References

1. Zankov L.V. Selected Pedagogical Works. - M.: Pedagogika, 1990. - 424 p.

2. Sipin G.M. Musical Performance Art: Theory and Practice. – St. Petersburg: Aleteyya, 2001. – 320 p.

3. Teplov B.M. Psychology of Musical Abilities. – Moscow: Nauka, 2003. - 384 p.

4. Matyakubov O. Theory and History of Music. – Tashkent: Musiqa, 2012. – 264 p.

5. Yunusov R. History of Professional Musical Culture of Uzbekistan. - Tashkent: Gafur Gulyam Publishing House, 2005. – 216 p.

Downloads

Published

2026-08-15

How to Cite

Usmanova, S. (2026). MECHANISMS FOR ENSURING THE UNITY OF THEORETICAL AND PRACTICAL TRAINING IN MUSIC EDUCATION BASED ON AN INTEGRAL APPROACH. Development of Pedagogical Technologies in Modern Sciences, 5(11), 27-30. https://doi.org/10.5281/