THE EVOLUTION FROM TRADITIONAL TECHNOLOGIES TO DIGITAL INNOVATIONS IN UZBEK AND INDIAN FEATURE CINEMA
DOI:
https://doi.org/10.5281/zenodo.19067432Keywords:
feature cinema, traditional technologies, digital innovations, Uzbek cinema, Indian cinema, visual aestheticsAbstract
This thesis examines the process of technological and aesthetic transformation from traditional technologies to digital innovations in Uzbek and Indian feature cinema. The study highlights the role of analog film technologies in shaping visual thinking and artistic expression, as well as the impact of digital technologies on contemporary film production. Based on historical-comparative and visual-aesthetic approaches, the research analyzes the continuity and synthesis between traditional cinematic aesthetics and digital innovations. The findings emphasize the interconnected relationship between technological development and artistic tradition in modern cinema, demonstrating that digital transformation serves as a continuation rather than a negation of established cinematic aesthetics.
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