MAQOM QO‘SHIQCHILIK SAN’ATI YO‘NALISHI VA QADRIYATLAR
DOI:
https://doi.org/10.5281/zenodo.19564018Keywords:
Maqom, Shashmaqom, o‘zbek maqom qo‘shiqchilik san’ati, mintaqaviy maqom uslublari, Buxoro maqomi, Xorazm maqomi, Farg‘ona-Toshkent maqomi, nomoddiy madaniy meros, YuNESKO, milliy o‘zlik, ma’naviy qadriyatlar, she’riy-musiyqiy uyg‘unlik, modal tuzilmalar, ijro texnikasi, ustoz-shogird an’anasi.Abstract
Ushbu tezis O‘zbek maqom qo‘shiqchilik san’atining yo‘nalishlari va qadriyatlarini chuqur o‘rganishga bag‘ishlangan. Unda Shashmaqom va mintaqaviy maqom uslublari (Buxoro, Xorazm, Farg‘ona-Toshkent) ning tarixiy rivoji, ijro texnikalari, modal tuzilmalari hamda she’riy-musiyqiy uyg‘unligi tahlil qilinadi. Maqom san’atining YuNESKO tomonidan nomoddiy madaniy meros sifatida tan olinishi, uning milliy o‘zlikni ifodalashi, ma’naviy chuqurligi va ta’limiy ahamiyati zamonaviy jamiyatdagi o‘rni yoritiladi. Tadqiqot maqomning O‘zbekiston madaniyatidagi muhim rolini ta’kidlab, uning saqlanishi va rivojlantirish yo‘llarini ko‘rsatadi.
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